Rosi Golan didn’t so much choose to be a songwriter as much as it took her over. In many ways, Golan’s songwriting can most closely be likened to a storm, or a weather system that has come and stayed for the last decade of her life. In the years since this weather system has entered her life, it’s changed significantly – gaining elements and force as it travels across the topography of her emotional life. This weather system has reached its most lovely expression on Golan’s sophomore album, Lead Balloon, the culmination of two years, organized around the pain and joy contained within that space.
Unlike most, Golan didn’t dream of live shows and lyrics. At the age of 19, Golan found herself rudderless and unsure, reeling from the simultaneous experiences of both personal and communal tragedy. “My grandmother passed away, and it was not long after September 11th. I was trying to figure out what I was going to do with my life,” Golan explains. “I was having this thought while I was in a car – and a commercial came on for a guitar store.” Shortly thereafter, Golan found herself there, and, never having played before, purchased a guitar for the self-admitted worst reason ever: “I liked the color,” she laughs. It shouldn’t have worked out, but it has.
In the years since that fateful radio tuning, Golan has worked to refine and calibrate her sound, collecting new elements and shaping it in the places she finds herself. The Drifter & The Gypsy, Golan’s first album, generated several songs that were prominently featured on numerous television shows (including One Tree Hill and Private Practice) and in film (Dear John).
From Artists Website